I had a lot of fun making this two minute trailer, in which about 800 stills from the film are printed out and used to construct the final prop in the movie - a three foot record album. The album then finds its home in one of two gigantic record crates, recapitulating the opening scene of the movie at 200X scale.
Make any sense? Hopefully just barely... enough to whet your appetite for the final product, coming in February, 2015!
After almost a year of weeklyish shoots with the Advanced Doodling crew I found myself alone on a friday night and decided to do some animating All By Myself , as Celine Dion would put it (follow that link - trust me). I absolutely love getting together with my AD peeps, but I was none-the-less reminded of how much I love the epic art all-nighters of my yester-years. I have thus decided to indulge myself by doing the final chapter of our sequence as a solo voyage, insanely inefficient as that may be. This piece is a little document of about five crazy days of shooting for the first part of that final chapter. Music: "Mr. Overtime" by Punks Jump Up. (p.s. Okay, so there is one sequence in this video that actually comes from the sessions with the whole crew. Can you guess which one?)
Another teaser here from the Advanced Doodling project. Here we have the "zebra bead" sequence in which this little black-and-white bauble is buried in googly eyes and other beads. The entire sequence is then recapitulated at 300x scale with a big paper mache version of the bead getting buried in corks, easter eggs, and other oddities...
The music is "Big Mouth" by Santigold. Her video for the song is pretty snazzy too. In fact it caused me to go a little youtube dive on this artist. Love the video for Girls as well.
The art sequence in Advanced Doodling has a quality of looping back over itself at different scales and in different media. Hence, for the last few months I've been thinking about ways to visually depict a branching time-line. This piece is an experiement with one such technique.
The source footage is a single 600-frame stop-motion sequence I shot on a blue plastic beer coaster. I cut the sequence up into 11 subsequences "A"-"K". Then I created branching nodes "A-AB", "B-BC". "C-CD" and so forth. Finally, I composed these nodes in the tree you see in the video.